{"id":8176,"date":"2021-07-13T14:33:16","date_gmt":"2021-07-13T13:33:16","guid":{"rendered":"https:\/\/www.elasticofarm.com\/architecture\/?page_id=8176"},"modified":"2026-03-10T18:24:31","modified_gmt":"2026-03-10T17:24:31","slug":"exhibitions-publications","status":"publish","type":"page","link":"https:\/\/www.elasticofarm.com\/architecture\/exhibitions-publications\/","title":{"rendered":"Records"},"content":{"rendered":"\t\t
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NOTHING PRECISE. THAT IS:<\/span> ARCHITECTURES, STRATEGIES, HERESIES, <\/font>IMMEDIATE HAPPINESS , AVOIDING THE WAIT STORIES, DISCOVERIES, AND GENEALOGIES FOR BETTER TIMES<\/font>.<\/span><\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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WEENGUSHK FILM INSTITUTE AT THE ITALIAN PAVILION AT THE BIENNALE ARCHITETTURA 2021 <\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ITALY UNDER CONSTRUCTION\nSTEFANO PUJATTI, BENIAMINO SERVINO: FROM MATTERS\n<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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THE INFINITE ROUTES OF SPECULATION<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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RARE ARCHITECTURE<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I DON'T KNOW
NON SO<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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WELCOMING<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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1301iNN <\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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AWARDS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2012<\/strong> Nomination per il European Union Prize for Contemporary Architecture \u2013 Mies van der Rohe Award 2013<\/em><\/p>

2012<\/strong> Premio RI.U.SO, Festarch, Perugia<\/em><\/p>

2011<\/strong> Atelier Fleuriste premiato dall\u2019Urban Center e dall\u2019Ordine degli Architetti di Torino come uno degli undici migliori progetti realizzati in Torino e provincia negli ultimi 25 anni<\/em><\/p>

2009<\/strong> Finalista della \u201cMedaglia d\u2019oro all\u2019architettura italiana\u201d alla Triennale in Milano<\/em><\/p>

2009<\/strong> \u201cArchitetture Rivelate \u201c, premio di qualit\u2000, per architetture realizzate in Piemonte<\/em><\/p>

2007<\/strong> Premio INARCH-ANCE 2006, Categoria la: lavori realizzati da giovane professionista, premio al Cimitero di Borgaretto<\/em><\/p>

2003<\/strong> progetto premiato per il concorso del Lungomare Trieste a Lignano Sabbiadoro, Udine<\/em><\/p>

2002<\/strong> Marcello D\u2019Olivo Price, menzione, Udine<\/em><\/p>

2001<\/strong> Progetto vincitore del Concorso per una nuova piazza a Budoia (Pn) progetto realizzato<\/em><\/p>

1999<\/strong> Concorso nazionale per riqualificazione urbana dell\u2019area Mandelli, Collegno, Torino Terzo posto<\/em><\/p>

1999<\/strong> Concorso nazionale area Oltredora, Collegno, Torino. Terzo posto<\/em><\/p>

1998<\/strong> Concorso per piazzale Valdo Fusi, Torino. Menzione<\/em><\/p>

1998<\/strong> Concorso nazionale per l\u2019ospedale San Giovanni Battista a Torino. Primo premio (ex-aequo)<\/em><\/p>

1997<\/strong> Japan international Design Awards, Osaka<\/em><\/p>

1997<\/strong> Concorso nazionale per la scuola di Mathi, Torino. Primo premio<\/em><\/p>

1996<\/strong> Outstanding contributions,da SCI-Arc LA, Ca USA<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"2011p_torino<\/figure><\/div>
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\"2007p_inarch<\/figure><\/div>
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\"2013_pida_immagine\"<\/figure><\/div>
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EXHIBITIONS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2012<\/strong> Bakstenen & Ballonnen, Haarlem (Olanda)<\/em><\/p>

2011-2012<\/strong> TALY NOW , mostra itinerante che presenta quelli che sono ritenuti I lavori pi\u00f9 interessanti eseguiti in Italia nell\u2019ultimo decennio, Tokyo , Novi Sad, Toronto<\/em><\/p>

2011<\/strong> KM 011 mostra colletiva dei lavori ritenuti pi\u00f9 interessanti di studi con sede a Torino, (catalogo)<\/em><\/p>

2010<\/strong> XII BIENNALE DI ARCHITETTURA DI VENEZIA, PADIGLIONE ITALIANO, (catalogo)<\/em><\/p>

2009<\/strong> Architetture rivelate 2009 \u2013 Torino, (catalogo)<\/em><\/p>

2009<\/strong>\u00a0 Medaglia d\u2019oro all\u2019architettura italiana 2009 \u2013 Triennale di Milano, (catalogo)<\/em><\/p>

2009<\/strong> Form follows my hand \u2013 monographic exhibition, Archivio Cattaneo_Cernobbio (CO)<\/em><\/p>

2008<\/strong> Sustainab.italy \u2013 London Festival of Architecture 2008 LONDRA (catalogo)<\/em><\/p>

2008<\/strong> New Urban Ecologies \u2013 Spazio FMG_ Milano<\/em><\/p>

2008<\/strong> Paesaggi Piemontesi \u2013 Citt\u00e0 dell\u2019arte_ Biella, New York , (catalogo)<\/em><\/p>

2008<\/strong> Rizoma \u2013 Biennale d\u2019architettura sulle nuove generazioni_Pontedera , (catalogo)<\/em><\/p>

2007<\/strong> Progetto Contemporaneo \u2013 Giovani Architetti Italiani 2_Schio , (catalogo)<\/em><\/p>

2006<\/strong> Progetto Contemporaneo -Giovani Architetti Italiani 2_ Triennale di Milano Off,\u00a0 Ceggia (VE)<\/em><\/p>

2006<\/strong>\u00a0 Contemporary ecologies \u2013 5\u00b0 Bienal de Arquitectura de Brasilia , (catalogo)<\/em><\/p>

2006<\/strong> X BIENNALE DI ARCHITETTURA DI VENEZIA, PADIGLIONE ITALIANO, (catalogo)<\/em><\/p>

2005<\/strong> 3_2_1 Nuova architettura in Polonia e Giappone e in Italia_Roma, Cracovia, (catalogo)<\/em><\/p>

2005<\/strong> Attraversamenti, Biennale diffusa di architettura contemporanea, Trevi Flash Art Museum, (catalogo)<\/em><\/p>

2004-2005<\/strong> New Trends of Architecture in Europe and Asia-Pacific_Lille, Hong Kong, Melbourne, Tokyo, Cork, Pusan , (catalogo)<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"0500_new<\/figure><\/div>
\"0600_Giovani<\/figure><\/div>
\"0800_sustainab\"<\/figure><\/div>
\"0900_medagliadoro\"<\/figure><\/div>
\"1100_KM011\"<\/figure><\/div>
\"1200_Bakstenen<\/figure><\/div>
\"0500_attraversamenti\"<\/figure><\/div>
\"0600_biennale<\/figure><\/div>
\"0600_Brasilia\"<\/figure><\/div>
\"0800_New<\/figure><\/div>
\"0800_Paesaggi<\/figure><\/div>
\"0800_Rizoma\"<\/figure><\/div>
\"0900_architetture<\/figure><\/div>
\"1000_biennale<\/figure><\/div>
\"1100_Italy<\/figure><\/div>
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BIBLIOGRAPHY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2012<\/strong> Elena Del Giudice, \u201cForesteria trasformata in albergo all\u2019avanguardia, in Messaggero Veneto, 19\/12\/12, Aviano<\/em><\/p>

2012<\/strong> Francesco Pagliari, \u201cArchitetture di spazi ed involucri, tre residenze\u201d, in The Plan # 063, Bologna<\/em><\/p>

2012<\/strong> Paola Pellegrini, \u201cCountry House. Elasticospa\u201d, in Domus # 964, Milano<\/em><\/p>

2012<\/strong> Stefano Pujatti, \u201cLo sballo del mattone\u201d, editoriale in Costruire in Laterizio # 148, Faenza<\/em><\/p>

2011<\/strong> Adolfo F.L. Baratta, \u201cElasticospa. Abitazione privata a Chieri, Torino\u201d, in Costruire in laterizio # 140, 03-04\/11, Faenza<\/em><\/p>

2011<\/strong> Stefano Pujatti, \u201cTorino vista dall\u2019obl\u00f2\u201d , in La nuova Torino, Alinea Ediitrice, Firenze<\/em><\/p>

2011<\/strong> Luigi Perstinenza Puglisi \u201cElasticospa\u201d in The Plan # 046, Bologna<\/em><\/p>

2011<\/strong> Luca Beatrice \u201cKM 011 kilometrizeroundici\u201d Alemandi, Torino<\/em><\/p>

2011<\/strong> Luigi Prestinenza Puglisi \u201c Italia Architectura 4\u201d, UTET, Torino<\/em><\/p>

2011<\/strong> Stefano Pujatti, \u201cUn\u2019 ipotesi di connessione. Venezia-Mestre, teste del Ponte della Libert\u00e0\u201d, in Workshop 2011 IUAV, Marsilio, Venezia<\/em><\/p>

\u00a02010<\/strong> Catalogue of the Venice Biennale \u201cPeople meet in Architecture \u201c a selection of projects by Kazuijo Sejima, Marsiglio editore<\/em><\/p>

2010<\/strong> Stefano Pujatti, \u201cMare e maree\u201d in Dromos, Melangolo editore<\/em><\/p>

2010<\/strong> Stefano Pujatti, Alessandro Mazzotta (a cura di), \u201c2 km oltre. Il pontile come spazio insediativo sostenibile per il loisir: progetti per Lignano Sabbiadoro\u201d, Alinea editrice, Firenze<\/em><\/p>

2010<\/strong> Berlanda T., \u201cAtelier Flueriste a Chieri\u201d, De Architect # 45, Rotterdam (NL)<\/em><\/p>

2010<\/strong> Gamba R., \u201cComplesso a Settimo Torinese\u201d, Costruire in Laterizio # 136, Faenza<\/em><\/p>

2010<\/strong> Giampiero Sanguigni, \u201cCustomized cladding\u201d, A10 # 35, 09-10\/10<\/em><\/p>

2010<\/strong> IOARCHITETTO \u201chighlight for the month\u201d<\/em><\/p>

2010<\/strong> Luigi Prestinenza Puglisi \u201cElasticospa\u201d, in The Plan # 046, 11\/10, Bologna<\/em><\/p>

2009<\/strong> Stefano Pujatti, Alessandro Mazzotta (a cura di), \u201cVistamare. Strategie e progetti per lo spazio tra citt\u00e0 e spiaggia a Lignano\u201d, Alinea editrice, Firenze<\/em><\/p>

2009<\/strong> Margherita Toffolon, \u201cFacciate a velo d\u2019acqua\u201d, in Showroom, 10\/09<\/em><\/p>

2009<\/strong> Stefano Pujatti, \u201cOde al mattone, un dialogo intergenerazionale a due voci\u201d in Il Giornale dell\u2019architettura # 136, 09\/09, Torino<\/em><\/p>

2009<\/strong> Ierace F\u00a0 \u201cmedaglia d\u2019oro all\u2019architettura italiana\u201d\u00a0 Electa\/Triennale<\/em><\/p>

2009<\/strong> Luigi Prestinenza Puglisi \u201c Italia Architectura 1\u201d, UTET, Torino<\/em><\/p>

2009<\/strong> Peressa A., \u201cPedemontana Veneta. Quaderni del Territorio. Architetture e luoghi del contemporaneo\u201d, Il Poligrafo, Padova<\/em><\/p>

2009<\/strong> Paolella A., \u201cArchitettura sostenibile e laterizio. Criteri, tecniche, esempi.\u201d, Edizioni Ambiente<\/em><\/p>

2009<\/strong>\u00a0 Gandolfi E., \u201cAtelier Fleuriste\u201d in The Plan # 032, 03\/09, Bologna<\/em><\/p>

2009<\/strong> Fabris L.M.F., \u201cAddizione amimetica\u201d, in Costruire # 319, 12\/09, Milano<\/em><\/p>

2008<\/strong>\u00a0 Fabris L.M.F, \u201cRare Architecture\u201d, Monography on Elastico SPA, collana Environscapes, Maggioli Editori<\/em><\/p>

2008<\/strong> S. Brandolini, \u201cYuppie ranch house\u201d in Domus # 919, 11\/08, Milano<\/em><\/p>

2008<\/strong> L. Molinari,\u00a0 \u201cThe italian job\u201d, in The Skira yearbook of Architecture 2007\/08, Milano<\/em><\/p>

2008<\/strong> Urban Center Metropolitano,\u00a0 \u201cTorino 1984\/2008 Architecture Atlas\u201d<\/em><\/p>

2008<\/strong> Fluido italiano \u201cMarkette\u201d, in D\u2019Architettura # 36, agosto 2008<\/em><\/p>

2008<\/strong> Ferrando D.T., \u201c011+ architetture made in Torino\u201d, Electa, Milano<\/em><\/p>

2008<\/strong> Franchuk K., \u201cYuppie Ranch House\u201d in Archidea 07-08, Kiev, Ucraina<\/em><\/p>

2008<\/strong> Pierotti P., \u201cCasa: ecologia, incentivi e grandi firme\u201d, in Il Sole 24 Ore, 11\/05\/2008<\/em><\/p>

2008<\/strong> Fabris L.M.F., \u201cLinguaggi Contrapposti\u201d, in Costruire # 299, 04\/2008, Milano<\/em><\/p>

2007<\/strong> Paola Chiara, \u201cAcqua, vetro e la cascina rinasce\u201d in Corriere di Chieri # 32, 27\/04\/07<\/em><\/p>

2007<\/strong> Prelovsek E., \u201cTransforming Architecture Transforming\u201d, in Kontrast Architecture Survey, Ljubljana, Slovenia<\/em><\/p>

2007\u00a0<\/strong> Salerno M., \u201cLa scommessa di Elasticospa\u201d, Prestinenza Puglisi L. \u201cDa Gino Valle al decostruttivismo\u201d, in Progetti e Concorsi di Edilizia e Territorio, 30\/07\/2007<\/em><\/p>

2007<\/strong> Prestinenza Puglisi L., \u201cAD Vol. 77, Italy, a New Architectural Landscape\u201d, monographic issue on contemporary architecture in Italy, John Wiley and Sons, Londra<\/em><\/p>

2007<\/strong> E. O\u2019Kelly, C. Dean, \u201cConversions\u201d, Laurence King, Londra<\/em><\/p>

2006<\/strong> Nicola marzot, \u201cElasticospa+3. Le vie della speculazione sono infinite\u201d in Ottagono # 193, 09\/06<\/em><\/p>

2006<\/strong> Harm Tilman, \u201cTurin after the games\u201d, in De Architect # 2, 02\/06<\/em><\/p>

2006<\/strong> F. Purini, N Marzot, L.Sacchi \u201cLa citt\u00e0 nuova Italia-y- invito a VEMA\u201d Editrice Compositori<\/em><\/p>

2006<\/strong> E. De Leo, \u201cPaesaggi cimiteriali europei\u201d, Mancosu editore S.p.a, Roma<\/em><\/p>

2006<\/strong> J. Bell, \u201c21st CENTURY HOUSE\u201d, Laurence King, Londra<\/em><\/p>

2006<\/strong> INTERIOR DIGEST #10(74) 2006 on the competition PRESENT OF FUTURE Modern Design contest<\/em><\/p>

2006<\/strong> Coppa A., \u201dOpen Living\u201d in Area supplemento 85, 04\/2006, Milano<\/em><\/p>

2006<\/strong> Calzavara M., \u201cInnesti di ultracorpi e superfici ondulate\u201d in Abitare # 461 05\/2006, Milano<\/em><\/p>

2006<\/strong> Prestinenza Puglisi L., \u201dDalla forza brutale della terra, un Ranch\u201d in Progetti e Concorsi di Edilizia e Territorio, 20-25\/03\/2006<\/em><\/p>

2006<\/strong> Maffei S., Parini B., Arquilla V.,\u00a0 a cura di, \u201cLa casa di Toni 2000\u201d, in \u201cSalotti d\u2019autore\u201d, Milano, Federico Motta Editore S.p.a.<\/em><\/p>

2006<\/strong> Maffei S., Parini B., Arquilla V., a cura di, \u201cLa casa del Pescatore 2004\u201d in \u201cSalotti d\u2019autore\u201d, Milano, Federico Motta Editore S.p.a.<\/em><\/p>

2005<\/strong>\u00a0 \u201cArchitetti under quaranta\u201d, in Costruire # 269 10\/2005, Milano<\/em><\/p>

2005<\/strong> Jonathan Bell, \u201cArchitects Directory\u201d,\u00a0 Wallpaper # 80, 07\/2005<\/em>\u00a0<\/p>

2005<\/strong> Zunino M.G., a cura di, \u201cCasa del pescatore\u201d in Abitare # 446 01\/2005, Milano<\/em><\/p>

2003<\/strong> \u201cRipensare lo spazio pubblico: due progetti cimiteriali\u201d, \u2018Elastico a Pordenone\u2019 in Abitare # 424, 01\/2003, Milano<\/em><\/p>

2003<\/strong> \u201cElastico\u201d in MARU # 16, 07\/2003<\/em><\/p>

2003<\/strong> AIT, 01\/2003<\/em><\/p>

2002<\/strong> Patrizia Padula (a cura di), \u201cLungomare Trieste \u2013 Lignano Sabbiadoro. Concorso internazionale di\u00a0idee \u2013 30 maggio 2002\u201d,<\/em><\/p>

2002<\/strong> Finessi B., a cura di, \u201cLooking more closely \u2013 Toni\u2019s house\u201d in Abitare # 418, 06\/2002, Milano<\/em><\/p>

2002<\/strong>\u201cFive architects to watch\u201d, in Wallpaper # 53, 11\/2002<\/em><\/p>

2002<\/strong> \u201c100 Progetti. Osservatorio sulla costruzione italiana\u201d in D\u2019Architettura, # 19, 11\/02<\/em><\/p>

2001<\/strong> \u201cDare struttura ad un volume d\u2019ombra. Il Centro Servizi Cimiteriali di Rorai Grande, Pordenone\u201d in Materia # 34, 01-04\/2001, Milano<\/em><\/p>

2001<\/strong> Boschi A., a cura di, \u201cFontana Bookstore 1998\u201d in \u201cShowroom\u201d, Milano, Federico Motta Editore S.p.a.<\/em><\/p>

1999<\/strong> Concorso per Piazza Valdo Fusi<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"0104_Materia\"<\/figure><\/div>
\"0205_concorso<\/figure><\/div>
\"0206_Abitare\"<\/figure><\/div>
\"0211_D'Architettura\"<\/figure><\/div>
\"0211_wallpaper\"<\/figure><\/div>
\"0301_Abitare\"<\/figure><\/div>
\"0501_Abitare\"<\/figure><\/div>
\"0510_Costruire\"<\/figure><\/div>
\"0600_21st<\/figure><\/div>
\"0600_interior<\/figure><\/div>
\"0600_Paesaggi<\/figure><\/div>
\"0605_abitare\"<\/figure><\/div>
\"0605_Progetti<\/figure><\/div>
\"0609_Ottagono\"<\/figure><\/div>
\"0700_conversions\"<\/figure><\/div>
\"0704_Corriere<\/figure><\/div>
\"0800_011+<\/figure><\/div>
\"0800_the<\/figure><\/div>
\"0801_Venerdi\u0300\"<\/figure><\/div>
\"0804_Costruire\"<\/figure><\/div>
\"0805_Il<\/figure><\/div>
\"0807_archidea\"<\/figure><\/div>
\"0808_Casa<\/figure><\/div>
\"0809_archidea\"<\/figure><\/div>
\"0811_domus\"<\/figure><\/div>
\"0900_medaglia<\/figure><\/div>
\"0900_Vista<\/figure><\/div>
\"0910_Showroom\"<\/figure><\/div>
\"0912_Costruire\"<\/figure><\/div>
\"1000_2km<\/figure><\/div>
\"1001_Dromos\"<\/figure><\/div>
\"1003_io<\/figure><\/div>
\"1007_Costruirelaterizio\"<\/figure><\/div>
\"1100_italiArchitettura<\/figure><\/div>
\"1100_Iuav\"<\/figure><\/div>
\"1105_de<\/figure><\/div>
\"1110_The<\/figure><\/div>
\"1212_Domus\"<\/figure><\/div>
\"1212_Messaggero<\/figure><\/div>
\"THEPLAN063-Elasticospa<\/figure><\/div>
\"1807_IQD\"<\/figure><\/div>
\"0100_Showroom\"<\/figure><\/div>
\"0307_Maru\"<\/figure><\/div>
\"0507_Wallpaper\"<\/figure><\/div>
\"0600_Salotti<\/figure><\/div>
\"0602_De<\/figure><\/div>
\"0700_AD<\/figure><\/div>
\"0800_Architettura<\/figure><\/div>
\"0800_Torino<\/figure><\/div>
\"0900_architettura<\/figure><\/div>
\"0903_the<\/figure><\/div>
\"0909_Giornale<\/figure><\/div>
\"1011_the<\/figure><\/div>
\"1100_KM<\/figure><\/div>
\"1209_Costruirelaterizio\"<\/figure><\/div>
\"1306_Archiworld_n217-1\"<\/figure><\/div>
\"1306_costruire<\/figure><\/div>
\"1306_mies<\/figure><\/div>
\"1306_Repubblica-Milano\"<\/figure><\/div>
\"1307_A+A-1\"<\/figure><\/div>
\"1307_DETAILS-1\"<\/figure><\/div>
\"1307_MARK-1\"<\/figure><\/div>
\"1308_architecture<\/figure><\/div>
\"1308_ARQ84-1\"<\/figure><\/div>
\"1311_the<\/figure><\/div>
\"0900_ItaliArchitettura<\/figure><\/div>
\"140222_TED\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

NOTHING PRECISE. THAT IS: ARCHITECTURES, STRATEGIES, HERESIES, IMMEDIATE HAPPINESS , AVOIDING THE WAIT STORIES, DISCOVERIES, AND GENEALOGIES FOR BETTER TIMES. WEENGUSHK FILM INSTITUTE AT THE ITALIAN PAVILION AT THE BIENNALE ARCHITETTURA 2021 ITALY UNDER CONSTRUCTION STEFANO PUJATTI, BENIAMINO SERVINO: FROM MATTERS THE INFINITE ROUTES OF SPECULATION RARE ARCHITECTURE I DON\u2019T KNOW NON SO WELCOMING 1301iNN […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"_links":{"self":[{"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/pages\/8176"}],"collection":[{"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/comments?post=8176"}],"version-history":[{"count":126,"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/pages\/8176\/revisions"}],"predecessor-version":[{"id":12269,"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/pages\/8176\/revisions\/12269"}],"wp:attachment":[{"href":"https:\/\/www.elasticofarm.com\/architecture\/wp-json\/wp\/v2\/media?parent=8176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}