{"id":12233,"date":"2026-03-10T17:43:45","date_gmt":"2026-03-10T16:43:45","guid":{"rendered":"https:\/\/www.elasticofarm.com\/architecture\/?p=12233"},"modified":"2026-03-13T17:25:21","modified_gmt":"2026-03-13T16:25:21","slug":"nothing-precise-that-is-architectures-strategies-heresies-immediate-happiness-avoiding-the-wait-stories-discoveries-and-genealogies-for-better-times","status":"publish","type":"post","link":"https:\/\/www.elasticofarm.com\/architecture\/nothing-precise-that-is-architectures-strategies-heresies-immediate-happiness-avoiding-the-wait-stories-discoveries-and-genealogies-for-better-times\/","title":{"rendered":"NOTHING PRECISE. THAT IS: ARCHITECTURES, STRATEGIES, HERESIES, IMMEDIATE HAPPINESS , AVOIDING THE WAIT STORIES, DISCOVERIES, AND GENEALOGIES FOR BETTER TIMES."},"content":{"rendered":"\t\t
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2026<\/strong>_EXHIBITION<\/p>

A project by Peluffo&Partners,\u00a0<\/i>Stefano Pujatti ELASTICOFarm, and Beniamino Servino,\u00a0<\/i>curated by Luigi Prestinenza Puglisi<\/i><\/p>

Fondazione Querini Stampalia, Venice, Italy<\/p>

Photographs<\/strong>: Lorenzo Marconi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Nothing specific, that is: architecture, strategies, heresies, stories,\u00a0discoveries, and genealogies for immediate happiness, avoiding the wait for better times.”\u00a0This is the exhibition, curated by Luigi Prestinenza Puglisi, created as a broad reflection\u00a0and relaunch for contemporary Italian architecture.<\/p>

Hosted until April 12 in the Scarpa Area of the Querini Stampalia Foundation in Venice, it presents\u2014through material models in ceramic\u00a0and concrete, images, figures, and technical drawings composed and recomposed in a\u00a0narrative path\u2014the competition project for the expansion of the MAXXI in\u00a0Rome (2022) drawn up by three of the most important contemporary Italian architects,<\/p>

Peluffo&Partners, Stefano Pujatti\u00a0ELASTICOFarm, and Beniamino Servino. A work\u00a0that courageously\u00a0tackles some culturally unavoidable issues for\u00a0architecture today. Among these is the importance of popular architecture that is\u00a0shared and shareable. The need to work on the ephemeral, with agile\u00a0and modifiable works. The need to draw on memory through forms that\u00a0populate our imagination. The\u00a0centrality of research on architectural space\u00a0understood as a connection between individual and\u00ec\u00a0collective feeling.\u00a0<\/p>

\u201cItalians,\u201d said Edoardo\u00a0Persico, “must face … the\u00a0ability to believe in precise ideologies.” It was 1934, but little has changed since then.\u00a0We Italians continue to have a suspicious attitude towards technology and progress. We suspect that the future\u00a0will not keep its promises; it distresses us, it is threatening.\u00a0From a history perceived as a succession of collapses, a\u00a0reactionary attitude arises that cancels out the present and projects us into\u00a0the past. But this can also become the ability to recreate and recompose\u00a0fragments, as in Scarpa, Moretti, or Michelucci.\u00a0Fragments, after all, serve to understand who we are, not where\u00a0we are going: they do not produce certainties, but emotional and\u00a0narrative genealogies.\u00a0Architectures that privilege narrative over theorem, play\u00a0over efficiency, irony over technocracy. That distrust abstraction\u00a0and intellectualism and seek clear forms and shared symbols.<\/p>

Like neorealism in the arts, it does not reproduce reality but interprets it.\u00a0Its strength lies in the\u00a0ephemeral, in genealogy, in authorship, and in the\u00a0popular dimension. Perhaps insufficient for global challenges, but capable\u00a0of creating, through storytelling, spaces of freedom.\u00a0The project we present materializes a possibility for the architecture\u00a0of the near future. Living in the happiness of the present and shunning the totalizing utopias\u00a0of better times.”<\/p>

(Luigi <\/em>Prestinenza<\/em> Puglisi)<\/em><\/p>

The need to present it again in an exhibition arose precisely with the aim of\u00a0highlighting this possibility for the future, presenting the project in an\u00a0installation that reconstructs its creation through a narrative journey of\u00a0references and reflections. Such as the reference to popular imagery, to Piero della\u00a0Francesca, to Fellini, and in this case to the pages of the Libro del Sarto, a fashion catalog\u00a0from a 16th\u00a0century Milanese atelier preserved at the Fondazione\u00a0Querini\u00a0Stampalia. The models for the field tents\u00a0and pavilions, set up\u00a0in 1548 in Piazza del Castello for the arrival in Milan of Philip of Spain,\u00a0represent the triumph of the ephemeral, providing the backdrop for the joust and the\u00a0staging of the social pact\u00a0between sovereign and people.\u00a0The exhibition also draws attention to its no less surprising similarities to the\u00a0recent staging of Giovanni Bellini’s Presentation of Jesus at the Temple\u00a0and Carlo Scarpa’s Area.<\/p>

The exhibition is completed by Ernesta Caviola’s short film \u201cVerso la luce\u201d (Towards the Light), about Piero della Francesca’s Legend of the True Cross.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Querini Stampalia Foundation<\/strong>, Venice, Italy<\/p>

February 26th \u2013 April 12nd, 2026<\/strong><\/p>

February 26th, 2026, 4:00 p.m.: Round table and exhibition presentation (Querini Stampalia Foundation Auditorium)<\/p>

February 26th, 2026, 6:00 p.m.: Exhibition opening curated by Luigi Prestinenza Puglisi<\/p>

Curator:\u00a0<\/strong>Luigi Prestinenza Puglisi<\/p>

Works:<\/strong> Peluffo&Partners, Stefano Pujatti ELASTICOFarm, Beniamino Servino, Ernesta Caviola<\/p>

Exhibition design:<\/span>\u00a0Peluffo&Partners, Stefano Pujatti ELASTICOFarm, Beniamino Servino<\/span><\/p>

Graphic design:<\/span>\u00a0Designwork<\/span><\/p>

Communication:<\/strong>\u00a0Superficial Studio<\/span><\/p>

Music Project:<\/strong> Francesco Pellissari<\/p>

Sponsorship and accreditation:<\/strong> Order of Architects, Planners, Landscape Architects and Conservators of Venice<\/p>

Support: <\/strong>Marazzi, Martinelli Luce, Euroslate, Marrone Cucine, Fabbrica Mazzotti Ceramiche, Manganello Assicurazioni, Milanoscene, Oikos, Pellegrini The Italian Window<\/p>

website:<\/strong>\u00a0https:\/\/www.querinistampalia.org\/en\/exhibitions-events\/nothing-precise\/<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Approssimazioni e pre-giudizi”<\/strong><\/p>\n

CALLandTALK:<\/strong> https:\/\/qr.scanned.page\/uploads\/pdf\/AIdQ2f_4f2e34bb609e3a56.pdf<\/p>\n

Contributions: <\/strong>Nina Bassoli, Federico Bil\u00f2, Filippo Bricolo, Alice Buzzone, Enzo Calabrese, Orazio Carpenzano, Gianmarco Chiri, Michela Carla Falcone, Domenico Faraco, Davide Tommaso Ferrando, Fabrizio Fragomeli, Marcello Galiotto, Luca Guido, Gemma Lanzo, Gianluigi Mondaini, Laura della Motta, Maurizio Oddo, Francesca Olivieri, Isidoro Pennisi, Claudia Ricciardi, Giulio Rizzo, Alessandra Rampazzo, Francesco Matteo Ruta, Marco Tanzilli, Alessandro Valenti, Adriano Venudo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

2026_EXHIBITION A project by Peluffo&Partners,\u00a0Stefano Pujatti ELASTICOFarm, and Beniamino Servino,\u00a0curated by Luigi Prestinenza Puglisi Fondazione Querini Stampalia, Venice, Italy Photographs: Lorenzo Marconi “Nothing specific, that is: architecture, strategies, heresies, stories,\u00a0discoveries, and genealogies for immediate happiness, avoiding the wait for better times.”\u00a0This is the exhibition, curated by Luigi Prestinenza Puglisi, created as a broad reflection\u00a0and relaunch 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